Sketchbook fragments
Condensed first half of a writing journal
December 2001 – July 2004
Compiled September 2004
crowds are open to judgement
(waking began
so i can live
we liberated our coffee grounds
coffee cup
the 29th of june
i could sit here painting fences
and we're sorry
in progress, barreling downhill
i mean, calm and dirty, sleepy
rolling my eyes
biting my nails
to the sea—everything
every type of horse
how this imagery functions
the clean white background
the surface, scarred
burning the earth underneath our feet
how it fools us
every fragment of the city
hallways stretch forever
i close my eyes again and crash this car
away from the associations of the suburban-kid mentality
i live here too
our freedom
lives in progress
there'd be birds that don't know the difference
walls with their exposed studs
DIY flyers and underground zines
a pointless errand run
i'll couch-hop and live in my car
if we are american
a life in the default
singing inside my head
the kitchen smells like the sound of a weight
asleep but underneath the eyelid
throwing the spectacle mechanism
the effect was minimal
like another phase
i don't know how
writing can steal your soul if you don't also take time to read
Untitleds
crossing the intersection in my car, listening to talk radio about supreme court nominations, I hear
my brakes squeak a high pitched noise. The sun shines through the clouds. I'm on my way to
breakfast. People pass me on foot, bike or by car. I pass buildings which hold people sleeping,
businesses or the belongings of people who have left for the day. I light a cigarette. I feel tired. I click
my turn signal to change lanes. I hear the ticking and merge successfully, thinking, “all these normal
things seem so strange, out of place. Everything common seems foreign today.” I drive to the coffee
shop, calmly eat my breakfast and sip my coffee. Getting back into the car, I drive to the highway,
towards United Hospital in St. Paul, to meet my family in the waiting room, where all of us will be
wondering if my brother will live to see the next day.
October 2005
Girls link arms with the boys beside them, sharing umbrellas, and run into the street yelling “wooo!” I
walk inside, music coming through the door to the performance space. I shyly smile at a girl sitting at a
table by the counter, she shoots me a cold look and returns to her homework. I get back to my
notebook. Me, and a pen, and a lot of analyzing thoughts to serve as my own umbrella under everyone
else's sky as I link arms with myself and tip back the rest of my beer, yelling to myself in my head,
“whatever.”
walk aside and miles wide
i found a way to spend my time
and scratched it into stone
threw it off a bridge
watched her smile and walked away
and today, with the tapping in the distance I grab at the air
I gasp for ideas
I pull enough strength together to get out of bed
so i can sit in a chair and stare at the horizon
when these days are over the young ones will still be laughing
and i'll finish up. One last crazy
dream for the road back home
to nothingness
In a way, art is like being married to boredom. You spend all your time together and make children. I
don't know. Maybe not.